It's time to lock in my votes and call it the most intense movie-watching year of my life. There was some last minute shuffling (including a demotion of my #1) but these are the best movies I saw in theaters in 2009, including one that was released in 2009 but which I saw at home. This year I think I can say that there really wasn't any completely sweeping film that hit all the notes of perfection that I look for in a movie. I don't think that means it was a bad movie year for me. Because even though I haven't yet finished my series of essays on film snobbery, the entries I have written convince me that I am perceiving movies on a different plane than perhaps a casual viewer. What I mean by that is there is a quality movie, and a movie that is mesmerizing because of the incredible way in builds and turns expectations in the niche genre it decides to present itself in. My favorite movies are exciting not just because they are very very good, but because their expression dances in areas outside of traditional film expression and taps into my appreciation for other types of art, or parallels a little bit of a subversive attitude I personally adopt towards some of life's complexities. Does it take me out of an ideal movie-watching experience when these films do this? Sometimes... but like my favorite musician Frank Zappa exemplifies in his sounds and lyrics, sometimes the best way to fully enjoy something is to have half yourself in sublime escapism, and the rest in the messy emotions and crudeness of the real world.
I'll begin this a little later...
Wednesday, January 13, 2010
Tuesday, January 12, 2010
Tues. Movies...
SHERLOCK HOLMES (2009)
CHUNGKING EXPRESS (1994)
Well, I've done it again... I've listened to an entire commentary track of a movie. This time because I was frustrated and compelled by this movie's placing on Time's 100 greatest list.
I had a feeling, that just like with L'Avventura, I was missing something in a unique film language.
Although the commentary track didn't live up to L'Avventura's 'best ever' commentary track as said by a critic, it did help me understand it more. In the case of L'Avventura's metonymic filmmaking, the film images served as actual commentary on emotions of the characters. In the case of Wong Kar-Wai's style (I was also equally initially frustrated by his two other films I've seen... In the Mood for Love and 2046), the film style serves to capture moments and unfulfilled potentials that are part of many courtships and relationship pursuits... but nonetheless can never be articulated in any poetic way through words or blatant romanticisms. Not an easy film to take in, but the wide pallete of real-life sentiments people feel when their caught up in love isn't very easy to summarize by a long shot.
CHUNGKING EXPRESS (1994)
Well, I've done it again... I've listened to an entire commentary track of a movie. This time because I was frustrated and compelled by this movie's placing on Time's 100 greatest list.
I had a feeling, that just like with L'Avventura, I was missing something in a unique film language.
Although the commentary track didn't live up to L'Avventura's 'best ever' commentary track as said by a critic, it did help me understand it more. In the case of L'Avventura's metonymic filmmaking, the film images served as actual commentary on emotions of the characters. In the case of Wong Kar-Wai's style (I was also equally initially frustrated by his two other films I've seen... In the Mood for Love and 2046), the film style serves to capture moments and unfulfilled potentials that are part of many courtships and relationship pursuits... but nonetheless can never be articulated in any poetic way through words or blatant romanticisms. Not an easy film to take in, but the wide pallete of real-life sentiments people feel when their caught up in love isn't very easy to summarize by a long shot.
Tuesday, January 5, 2010
First Tuesday of 2010
Time to begin this year, with lots of movie watching interrupted with things like work, sleep, courtship, and figuring out comprehensive life goals.
Through Netflix Instant...
RACHEL GETTING MARRIED
While this movie seemed like it would go over some conventional themes of a drug addict seeking redemption, this was a critical favorite and was part of my Critic's top 10 project that began over the past couple weeks.
This turned out to be incredible and pretty emotionally devastating. After just watching the Visitor though, I see how this performance-based movie seemed to be more effective, because the style of the movie was to have Anne Hathaway's character blend in with the surroundings. With the handheld homey look to everything, her performance absolutely shines but doesn't overshadow the supporting players and the atmosphere. I'll remember this for a while. Hathaway performs so perfectly you squirm and get really wrecked watching her suffering. Excellent.
Through Netflix Instant...
RACHEL GETTING MARRIED
While this movie seemed like it would go over some conventional themes of a drug addict seeking redemption, this was a critical favorite and was part of my Critic's top 10 project that began over the past couple weeks.
This turned out to be incredible and pretty emotionally devastating. After just watching the Visitor though, I see how this performance-based movie seemed to be more effective, because the style of the movie was to have Anne Hathaway's character blend in with the surroundings. With the handheld homey look to everything, her performance absolutely shines but doesn't overshadow the supporting players and the atmosphere. I'll remember this for a while. Hathaway performs so perfectly you squirm and get really wrecked watching her suffering. Excellent.
Tuesday, December 29, 2009
Tuesday to end 2009
Alright, the last movie post of 2009. Meaning the book is closed on movie viewings for this year and the top 10 list can be made!
THE VISITOR (2007)
The OCD movie viewing process begins, as I make an attempt to watch a critic's complete top 10 list from 2008, with Metacritic as my source. It was really fun to do that last year, as I watched some movies (like Joshua and Exiled) that were really under the radar and were interesting.
BUT, The Visitor fits into a category of 'performance' movies that kind of bother me. Richard Jenkins was nominated for an Oscar for his lead role here, which was kind of unique since he isn't really well known, but has had character actor parts over the years that make his presence ubiquitous. (In Burn After Reading he was the quiet manager of the Hard Bodies gym). But as absolutely great a performance could be, it doesn't mean a whole lot if everything surrounding that character, including the plot and other people and dialogue, is mediocre to bland. This didn't gel for me, in the same way that performance movies like As Good As It Gets and Hotel Rwanda disappoint.
THE BOURNE ULTIMATUM (2007)
Heart-pounding, suspensful, and awesome, but the only shortcoming is completely my fault. Ever since I started playing high quality cinematic video games on my PS3, I get distracted when I watch action movies... because (this is so pathetic) I miss the interactivity of the gaming experience! So when there was this roof top chase scene that was such a great action piece, I started recalling a recent game I picked up where you're chased over the rooftops of an ancient Middle Eastern City! Only a slight problem, but still it took me out of the movie. As easily distracted as I am, it's something worth mentioning.
THE VISITOR (2007)
The OCD movie viewing process begins, as I make an attempt to watch a critic's complete top 10 list from 2008, with Metacritic as my source. It was really fun to do that last year, as I watched some movies (like Joshua and Exiled) that were really under the radar and were interesting.
BUT, The Visitor fits into a category of 'performance' movies that kind of bother me. Richard Jenkins was nominated for an Oscar for his lead role here, which was kind of unique since he isn't really well known, but has had character actor parts over the years that make his presence ubiquitous. (In Burn After Reading he was the quiet manager of the Hard Bodies gym). But as absolutely great a performance could be, it doesn't mean a whole lot if everything surrounding that character, including the plot and other people and dialogue, is mediocre to bland. This didn't gel for me, in the same way that performance movies like As Good As It Gets and Hotel Rwanda disappoint.
THE BOURNE ULTIMATUM (2007)
Heart-pounding, suspensful, and awesome, but the only shortcoming is completely my fault. Ever since I started playing high quality cinematic video games on my PS3, I get distracted when I watch action movies... because (this is so pathetic) I miss the interactivity of the gaming experience! So when there was this roof top chase scene that was such a great action piece, I started recalling a recent game I picked up where you're chased over the rooftops of an ancient Middle Eastern City! Only a slight problem, but still it took me out of the movie. As easily distracted as I am, it's something worth mentioning.
Tuesday, December 22, 2009
Week the Was: Back to 2008 WIFF
Yep, I decided to theme my movie binge with movies on my Instant Q that were all screened at the Wisconsin Film Fest in 2008... my first film fest experience.
These aren't movies I saw way back when... but I kept the program and I was overwhelmed with the variety and the quality that I vowed to at least aspire to watch as much of the films in the WIFF as I can!
CHOP SHOP (2007)
I couldn't think of the term for this kind of movie... then a snotty film critic (or a Wikipedia author) called it an example of "neo-realism". I think it's the kind of film festival movie you expect... understated... compelling... but with many moments that lets your mind wander because of the lack of urgent pacing. So distant from any commercial fare.
CONSTANTINE'S SWORD (2007)
A documentary that unfortunately is the second one I've seen this year to feature the creepy and now disgraced Ted Haggard as an interview subject. Jesus Camp was the first time I saw him and his Church in Colorado Springs. The topic is historic Anti-Semitism in the Church. But the pieces and scenes are a little loosely connected and don't come together as well as other documentaries.
ALEXANDRA (2007)
This one is pretty hypnotic if you don't expect anything extreme or direct. Following an elderly Russian grandmother as she visits her grandson on the war front in Chechnya.
Probably will watch a few more 2009 films before I can make my top 10 of the year.
These aren't movies I saw way back when... but I kept the program and I was overwhelmed with the variety and the quality that I vowed to at least aspire to watch as much of the films in the WIFF as I can!
CHOP SHOP (2007)
I couldn't think of the term for this kind of movie... then a snotty film critic (or a Wikipedia author) called it an example of "neo-realism". I think it's the kind of film festival movie you expect... understated... compelling... but with many moments that lets your mind wander because of the lack of urgent pacing. So distant from any commercial fare.
CONSTANTINE'S SWORD (2007)
A documentary that unfortunately is the second one I've seen this year to feature the creepy and now disgraced Ted Haggard as an interview subject. Jesus Camp was the first time I saw him and his Church in Colorado Springs. The topic is historic Anti-Semitism in the Church. But the pieces and scenes are a little loosely connected and don't come together as well as other documentaries.
ALEXANDRA (2007)
This one is pretty hypnotic if you don't expect anything extreme or direct. Following an elderly Russian grandmother as she visits her grandson on the war front in Chechnya.
Probably will watch a few more 2009 films before I can make my top 10 of the year.
Wednesday, December 16, 2009
Report
ROLE MODELS (2008)
An example of the convoluted way I decide which movies are worth my time. Looked like a pretty conventional plot to me until I found out that the guys from The State are behind it. THEN it became intruiging, not because of the actors, story, or my like for comedies. The presence of McLovin didn't hurt.
Funny, but I still don't get how I laugh out loud more at comedy television than even the best movie comedies.
The Bad Lieutenant: Port of Call New Orleans (2009)
An even better example of the my convoluted movie tastes. Not a fan of Nick Cage movies, but am a fan of Werner Herzog. IF this movie was Nicholas Cage playing a cop gone bad.... yawn. But a bad cop movie done by the same guy that did Grizzly Man and the Enigma of Kasper Hauer? Something very unique. The result is strange to say the least... but when I told my friends at a party in Chicago what I saw, I was thankful they didn't ask me to elaborate on why I wanted to see it, because it isn't simply a film, but an homage to bad filmmaking, crazy acting, and a bunch of other things that need to be explained by film geeks before viewing.
An example of the convoluted way I decide which movies are worth my time. Looked like a pretty conventional plot to me until I found out that the guys from The State are behind it. THEN it became intruiging, not because of the actors, story, or my like for comedies. The presence of McLovin didn't hurt.
Funny, but I still don't get how I laugh out loud more at comedy television than even the best movie comedies.
The Bad Lieutenant: Port of Call New Orleans (2009)
An even better example of the my convoluted movie tastes. Not a fan of Nick Cage movies, but am a fan of Werner Herzog. IF this movie was Nicholas Cage playing a cop gone bad.... yawn. But a bad cop movie done by the same guy that did Grizzly Man and the Enigma of Kasper Hauer? Something very unique. The result is strange to say the least... but when I told my friends at a party in Chicago what I saw, I was thankful they didn't ask me to elaborate on why I wanted to see it, because it isn't simply a film, but an homage to bad filmmaking, crazy acting, and a bunch of other things that need to be explained by film geeks before viewing.
Tuesday, December 1, 2009
MORE TUESDAY MOVIES
I'd better right this up before I forget!
PUSHER III
And i wrap up a very interesting film trilogy... very good, invigorating experience. Each movie went in unpredictable directions, the first of them being the characters each movie decides to focus on. I would say #2 has the slight edge over the 3.
RED CLIFF I and RED CLIFF II
This is an unprecedented treat. My friend was on a summer teaching trip to China and brought back this two-part movie epic back to the States in pirated form (shhhhhhhhhh). It's just been given a limited release here. And it's pretty incredible. An epic movie with exciting battle scenes, morally complex characters, and a sequencing of events that never has you tapping your foot, waiting for the exciting parts, whether they be quiet character development or intricate ware strategies being played out before your eyes.
REDBELT
The latest slick talking Mamet experience. I love listening to these well crated words, especially if it serves a sharp story.
WATER LILIES
It will be a futile task, but I will try to see as many films that were screened at the last two Wisconsin Film Festivals as I can... and thanks to the Netflix Instant Watching capability through my PS3, it's all the easier, time and commitment being my only enemy. This is an understated French film exploring female adolescence and sexuality. Unique and modern, a real film festival film in that it's an interesting exercise to expose yourself to, but nothing too earth-shattering.
PUSHER III
And i wrap up a very interesting film trilogy... very good, invigorating experience. Each movie went in unpredictable directions, the first of them being the characters each movie decides to focus on. I would say #2 has the slight edge over the 3.
RED CLIFF I and RED CLIFF II
This is an unprecedented treat. My friend was on a summer teaching trip to China and brought back this two-part movie epic back to the States in pirated form (shhhhhhhhhh). It's just been given a limited release here. And it's pretty incredible. An epic movie with exciting battle scenes, morally complex characters, and a sequencing of events that never has you tapping your foot, waiting for the exciting parts, whether they be quiet character development or intricate ware strategies being played out before your eyes.
REDBELT
The latest slick talking Mamet experience. I love listening to these well crated words, especially if it serves a sharp story.
WATER LILIES
It will be a futile task, but I will try to see as many films that were screened at the last two Wisconsin Film Festivals as I can... and thanks to the Netflix Instant Watching capability through my PS3, it's all the easier, time and commitment being my only enemy. This is an understated French film exploring female adolescence and sexuality. Unique and modern, a real film festival film in that it's an interesting exercise to expose yourself to, but nothing too earth-shattering.
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